On March 27, 2019 Sound / Simulacra presented Dean Magraw. The evening started with Dean performing three gorgeous solo improvisations on electric guitar. Afterward Dean was joined by keyboardist John C.S. Keston and bassist Cody McKinney for three more pieces as an ensemble. Please enjoy these recordings from a truly inspirational night of experimental music.
On December 27, 2017 Sound / Simulacra featured DeVon Russell Gray and Patrick Pegg. DeVon and Patrick started of the evening with an uninterrupted 38:10 minute set of acoustic piano and esoteric electronics. In the second set Cody McKinney (bass and electronics) and me (Rhodes and Moog Sub 37) joined the duo to perform a 34:09 minute piece followed by final 8:47 minute piece in closing.
On Wednesday, July 25th, 2018 Sound / Simulacra featured drummer and composer Davu Seru at Jazz Central Studios. Davu started off the evening with three improved solo pieces. We followed that up with four pieces as a trio with myself and Cody McKinney joining in.
During last month’s Sound / Simulacra on March 28, 2018, we featured artist Holly Hansen. Among many other things Holly hosts t.e.e. (Tuesday Early Evenings), an excellent weekly concert series at the 331 Club in Northeast Minneapolis. It was a pleasure performing with Holly Hansen and Cody McKinney during Sound / Simulacra. Here’s a bit more about Holly’s world, and afterward a couple of recordings from the show that you are likely to enjoy! Holly Hansen (Electronics), John C.S. Keston (Piano, Rhodes, Synthesizers), Cody McKinney (Bass, Voice, Electronics). Recorded by Dave Kunath.
After letting go of her rock band Zoo Animal in 2015, Holly Hansen has been floating around in the world between song and sound. This has lead her to create pieces using guitar pedals, samplers, sequencers and occasionally an instrument or 2. This 2017 recipient of the MECA (MN Emerging Composer Award) has self categorized her music as “weirdo electronic music for the beginning or discerning pallet.”
On March 22nd, 2017 Sound / Simulacra featured Leah Ottman aka LOTT. These recordings were captured by Dave Kunath during the second set and add John C.S. Keston on Rhodes / electronics and Cody McKinney on bass / electronics.
The core inspiration for LOTT’s compositions is the Romantic Period of classical music. The chordal structures, intervals, and melodies heard throughout her songs are reminiscent of those used by Antonin Dvorak, Alexander Borodin, Pyotr Ilyich Tchaikovsky, French Impressionist composer, Maurice Ravel, and then condensed into pop songs. She explores the range on her violin by utilizing a looping pedal and similar techniques employed by looping violinist pioneers, Andrew Bird, Kishi Bashi, and Owen Pallet.
LOTT has been likened to a modern day torch singer of indie music – both in her lyrical themes and vocal styling. She has been greatly influenced by Patsy Cline’s catalogue of songs about unrequited love and heartbreak.
LOTT was awarded “Best Vocalist” in 2016 and “Best Acoustic Performer” in City Pages Best Of the Twin Cities 2015.
“…With a looping pedal hooked up to her instrument, Ottman layers intricate melodies that combine classical beauty with an adventurous ear for contemporary experimentation not unlike Andrew Bird. Her voice, loaded with attitude and a penchant for flowing leaps, sweetens the deal…”
