Thomas Nordland Recordings

Before the pandemic put a halt to the series one of our last guests was distinguished guitarist, Thomas Nordlund. On February 26th 2020, Nordlund played a stirring solo set of of haunting tones and compelling melodic structures. Following his set, Keston and McKinney joined him to perform three trio pieces.

Track 1: Thomas Nordlund solo (guitar/ electronics)
Tracks 2, 3, 4: Thomas Nordlund (guitar/ electronics), Cody McKinney (bass, vocals, electronics), John C.S. Keston (Rhodes, piano, synthesizer, electronics)

a sound/simulacra album now available

One of the last concerts I played before the COVID-19 pandemic and the horrific murder of George Floyd was a sound/simulacra with an amazing group of artists including: Cody McKinney (electric bass, voice, electronics), myself (Rhodes, synth, electronics), Aby Wolf (voice, electronics), Kaleena Miller (amplified tap dancing), and Nathan Hanson (saxophones). The venue made a multitrack recording of our show, so since have been unable to continue with our monthly series, Cody Mckinney and I decided to release a live album of music from the evening. Cody wrote an elegant essay (below) about the night, and I mixed and mastered the recordings which are now available on Bandcamp (above). All sales will be directed to advance the Black Lives Matter movement. Please read on to learn more about the album and the artists who made it possible.
sound/simulacra started as a monthly experiment, conceived by myself (Cody McKinney) and my dear friend and collaborator, John C.S. Keston. The name comes from the writings of Jean Baudrillard, the great French, post structuralist philosopher. The basic idea was to bring sound artists / musicians together from varying disciplines, and see if we could find some universal truths within the framework of improvisation. Many differing sound disciplines seem to have their own language and systems of improvisation. Many of these take a lifetime of study to master, but that is usually based on that discipline’s improvisatory syntax as opposed to the purer language of sound. There was no attempt to try to learn or master other artists’ vocabulary, but rather to seek the commonalities between performers and their systems. Many times, these improvisations revealed certain formal structures; for example, western music theory influence, with our scales and triads and harmonic rules. While other times, they revealed behaviors from the natural world such as bird songs, or moaning, or machinery. [In recent times, we’ve begun to align our lives with many machines, and with that alignment comes a whole host of familiar sounds, structures, forms etc.] Continue reading “a sound/simulacra album now available”

Jesse Whitney Recordings

For the final Sound / Simulacra of the 2019 program we presented Jesse Whitney, Wednesday, November 27, 2019. Jesse started the evening by performing a solo modular synthesizer set. Between sets Jesse repatched his setup to sample and process the signals from John C.S. Keston (Rhodes, piano, synthesizers), and Cody McKinney (bass, voice, electronics).

Tasha Baron Recordings

On October 23rd, 2019 Sound / Simulacra featured multi-instrumentalist Tasha Baron at Jazz Central Studios, Minneapolis, MN. In the first set Tasha improvised two pieces playing piano, synthesizers sounds, and electronic percussion. The second set add Cody McKinney on bass / electronic and John Keston on Rhodes / Prophet REV2.

Erik Fratzke Recordings

On September 25, 2019 Sound / Simulacra presented bassist, guitarist, and composer Erik Fratzke. Erik started off the evening with a fascinating series of bass improvisations along with samples from Hong Kong martial arts films, signal processing, and a bass duet with Cody McKinney. For the second set we performed two trio pieces.

Jay Epstein Recordings

On June 26, 2019 Sound / Simulacra’s very special guest was drummer, Jay Epstein. Jay played duets with Cody McKinney on bass/electronics and John C.S. Keston on Piano, Rhodes, and Prophet REV2. In the second set Cody, Jay, and John joined together as a trio for a final 29 minute opus.

Darwin Grosse Recordings

Sound / Simulacra featured electronic music artist Darwin Grosse on May 22, 2019. These recordings include a wonderful solo set followed by three trio pieces based on graphic scores by Darwin. These graphic scores were beautifully printed on  laminated postcards as shown in the images below.

Path by Darwin Grosse, 2015
Circuit by Darwin Grosse, 2015
Grid by Darwin Grosse, 2015