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Sophia Deutsch Recordings

This improvised performance from cellist Sophia Deutsch, myself, and Cody McKinney was recorded by Dave Kunath on Wednesday October 25th, 2017 at Jazz Central Studios during Sound / Simulacra.

Sophia Deutsch is a multi-faceted artist involved in many musical and visual art projects around the Twin Cities. As an artist, Sophia believes in an organic creation of music and art, using improvisation and emotion to drive the sounds. As a musician, her interests lie in the dichotomy of organic sound generation with cello being the genesis and the perversion of this via live distortion and/or electronic manipulation.

The series explores musical improvisation as a “faithful and intentionally distorted” representational process bringing together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal”. Please enjoy listening!

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Nichols / Healey / McKinney Recordings

This improvised performance from Bryan Nichols, Cory Healey, and Cody McKinney was recorded by Dave Kunath on Wednesday April 26th, 2017 at Jazz Central Studios during Sound / Simulacra.

Bryan Nichols is a pianist, composer, and educator based in Minneapolis. Often found playing jazz and improvised music, but at home in a variety of musical worlds, he leads and composes for his own trio, quintet, and nonet in addition to performing, recording, and touring with forward-thinking artists like Nicole Mitchell, Ron Miles, and Olga Bell, and groups like the Gang Font, Dead Man Winter, and Halloween, Alaska. He has taught jazz piano at MacPhail Center for Music, University of Minnesota – Morris, and University of Wisconsin – Eau Claire, while presenting clinics and masterclasses at a variety of colleges and high schools around the midwest. www.bryannichols.org

Cory Healey’s unique drumming has led to collaborations with artists from many different genres. He has toured North America and Europe and had the privilege of performing with Kenny Wheeler, Dr Lonnie Smith, John Abercrombie, and David Berkman. While living in Chicago, he performed and recorded with Algernon, Fareed Haque’s Flat EarthEnsemble, W.W. Lowman, Ike Riley, and Scott Hesse. In 2013, Healey moved to the Minneapolis, where he’s worked with some of the Twin Cities’ most prominent artists including Dead Man Winter, Dosh, Marijuana Deathsquads, and Anthony Cox. www.coryhealeymusic.com

The series explores musical improvisation as a “faithful and intentionally distorted” representational process bringing together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal”. Please enjoy listening!

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IOSIS Recordings

This performance of IOSIS & John C.S. Keston was artfully recorded by Dave Kunath on Wednesday April 26th, 2017 at Jazz Central Studios for the Sound / Simulacra monthly series that I have been doing with Cody McKinney.

IOSIS is ritual in the shape of gnarled dronescapes, wrestled from the back of a hardware beast made of diverse synthesizers, tangled patch cables and contact microphones snaked through space-making delay and reverb units. Sometimes verging on the edge of breaking noise, sometimes swimming in lush beauty, witnessing IOSIS is a fully enveloping ceremonial experience imbued with transmutational significance. IOSIS is the musical project and collaborative platform of artist Alex Bissen.

The series explores musical improvisation as a “faithful and intentionally distorted” representational process bringing together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal”. Thank you for listening!

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Kindohm Recordings

This recording from August 23, 2017 at Jazz Central Studios was made during Sound / Simulacra: A monthly series that I do in conjunction with bassist/composer Cody McKinney. The intent is to explore musical improvisation as a “faithful and intentionally distorted” representational process. On this occasion we featured Minneapolis-based Mike Hodnick, aka Kindohm.

…[Kindohm is] widely known for his live-coded dancefloor interruptions, wringing algorithmic rhythms and textures from a text editor using the open source software TidalCycles. Combining analog synthesizers and samples, Hodnick’s improvised performances encompass an array of styles from glitchy IDM to odd-time techno. In 2016, Kindohm released “RISC Chip”, an 8-track LP released on Conditional. Receiving positive criticism on Resident Advisor, Lisa Blanning writes: “Hodnick has a way of teasing inhuman funk out of his evolving patterns. RISC Chip succeeds in escaping its programmer’s niche, launching Kindohm’s work into the realm of music that exists for its own sake.” – www.residentadvisor.net/reviews/20249

Mike and I both played solo sets earlier in the evening, but for the finale we formed a trio with Cody McKinney on bass and electronics. My setup included acoustic piano, Rhodes, Novation Circuit, and various processors. Both Hodnick and McKinney are expert improvisors so participating in this performance was quite a pleasure. Please have a listen and let us know what you think!

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Jeremy Yylvisaker Recordings

The Sound / Simulacra series is hosted by myself and Cody McKinney at Jazz Central Studios in Northeast Minneapolis on the fourth Wednesday of every month. If you haven’t made it any of these shows you’re not entirely out of luck. They are all being recorded and I’ll be sharing excerpts here on AudioCookbook. The first event in the series was a duet with Cody McKinney and Jeremy Ylvisaker on January 25, 2017. Their gorgeous improvisations were faithfully captured by sound recordist, Dave Kunath. Enjoy!

Jeremy Ylvisaker is a multi-instrumentalist from Minneapolis, Minnesota. He is a member of the indie rock bands Alpha Consumer (with Michael Lewis and JT Bates) and The Cloak Ox along with Andrew Broder of Fog, Mark Erickson and Dosh. He plays guitar in Andrew Bird’s touring band alongside Martin Dosh on drums and Michael Lewis on bass.

Cody McKinney works with sound by actively theorizing, organizing, practicing and challenging its properties. He studied bass and improvisation under many luminaries including: Johannes Weidenmueller, Bruce Gertz, Jim Black as well as composition under Kirk Nurock, Rory Stewart, Steve Lehman and Diane Moser. Cody’s group, Bloodline, along with John Keston and Pete Hennig, have recently recorded an album due out mid 2017.

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Sound / Simulacra at Jazz Central Studios

Starting January 25, 2017 Cody McKinney and I are booking a monthly series at Jazz Central Studios titled Sound / Simulacra. The series explores musical improvisation as a “faithful and intentionally distorted” representational process. Sound / Simulacra will bring together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal”.

Cody McKinney works with sound by actively theorizing, organizing, practicing and challenging its properties. He studied bass and improvisation under many luminaries including: Johannes Weidenmueller, Bruce Gertz, Jim Black as well as composition under Kirk Nurock, Rory Stewart, Steve Lehman and Diane Moser. Cody’s group, Bloodline, along with John Keston and Pete Hennig, have recently recorded an album due out mid 2017.

Volume 1: Wednesday Jan. 25th 2017
Cody McKinney & Jeremy Ylvisaker

Jeremy Ylvisaker is a multi-instrumentalist from Minneapolis, Minnesota. He is a member of the indie rock bands Alpha Consumer (with Michael Lewis and JT Bates) and The Cloak Ox along with Andrew Broder of Fog, Mark Erickson and Dosh. He plays guitar in Andrew Bird’s touring band alongside Martin Dosh on drums and Michael Lewis on bass.

Volume 2: Wednesday Feb. 22nd, 2017
John C.S. Keston and Graham O’Brien

Graham O’Brien is a drummer and electronic music producer/composer from St. Paul, MN. His most recent work is focused on the interplay between his unique drumming and composition styles. Currently he is performing new music written for solo live performance, utilizing a customized electro-acoustic drum set concept. As he puts it, “I’m exploring ways to perform my music – or rather, conduct it – via the rhythms of my drumming, in real-time. My performance concept is a practical way to extend the range of my drum set to include control of melodic and harmonic electronic instruments.”