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Martin Dosh

This October 24, 2018 Sound / Simulacra will feature Martin Dosh. Both me and Cody have had the pleasure and privilege of collaborating with Dosh over the years. Marty and me have bonded over our love of the Rhodes electric piano, DIY electronics, and similar musical ideals. This is bound to be a quite special performance in the intimacy of Jazz Central Studios, 407 Central Ave SE. Minneapolis, MN 55414. Please do join us for this event on October 24, 2018. Music starts at 8:30pm. Or checkout the Facebook event.

Dosh’s work with Andrew Broder in Lateduster and Fog gave him an experience that helped him begin to perform solo. In 2002, Dosh released his first album Dosh. He had recorded it himself, mostly in his basement. The album developed a following in the local Twin Cities scene. After playing many shows, City Pages voted him second on their annual “picked to click” list. Dosh was re-released internationally on Anticon in 2003. It was reviewed in Village Voice, URB, Flaunt, XLR8R, The Big Takeover and a number of online magazines. Dosh has toured extensively with Andrew Bird. He contributed significantly to Andrew Bird’s albums, Armchair Apocrypha and Noble Beast. Dosh is a member of The Cloak Ox, a four-piece band featuring Andrew Broder, Jeremy Ylvisaker and Mark Erickson. — Last.fm

Set 1: Martin Dosh: Drums, keyboards, electronics
Set 2: Martin Dosh: Drums, keyboards, electronics +
John Keston: Keyboards, synthesizer, electronics +
Cody McKinney: Bass, Voice, electronics

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Zosha Warpeha Recordings

Please enjoy this recording of Sound / Simulacra featuring Zosha Warpeha on violin, voice, and electronics, John C.S. Keston on piano, Rhodes, synthesizers, electronics, and Cody McKinney on bass, voice, synthesizer, electronics. Recorded at Jazz Central Studios on Wednesday, June 27th, 2018.

Sound / Simulacra is a monthly series produced by John C.S. Keston and Cody McKinney which explores musical improvisation as a “faithful and intentionally distorted” representational process. Sound / Simulacra brings together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal.”

Zosha Warpeha is a genre-crossing violinist, vocalist, and composer from Minnesota, currently based in New York. Steeped in improvisation, her music draws inspiration from a wide range of folk traditions and contemporary music. Her approach to blending voice and five-string violin brings an unique dimension to her sound. She also performs regularly on the hardanger fiddle, a traditional instrument of Norway, fully embracing the resonance and shimmering qualities of its sympathetic strings. Current musical projects range from the contemporary chamber ensemble Stratus Quartet to the ambient electro-acoustic duo visible worlds. Recent multidisciplinary collaborations include improvisatory performances with the Joffrey Ballet School and the experimental theatre group Exquisite Corpse Company. She has performed in many musical contexts at festivals and venues across the US, as well as internationally at the Bern Jazz Festival in Switzerland, and has been a recipient of artistic awards from the Minnesota State Arts Board and the Minnesota Arts and Cultural Heritage Fund.

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Kaleena Miller

On August 22nd, 2018 Sound / Simulacra presented Kaleena Miller, co-director of the Twin Cities Tap Festival and director of Kaleena Miller Dance. Miller is a founding member of Rhythmic Circus, and toured extensively with the group from 2009-2017.

Kaleena is a 2015 McKnight Dance Fellow and was named one of DANCE Magazine’s “25 to Watch” in 2016. She has received funding from the Jerome Foundation and Minnesota State Arts Board, and has been commissioned to create work for the Walker Art Center, Southern Theater, Wayzata Symphony Orchestra, Hear Here! Festival, and SPCPA. Kaleena recently worked with Derick Grant on a solo, commissioned by the McKnight Fellowship. In 2016, she spent a month in solo residency at Air Le Parc in Pampelonne, France.

Set 1 – Kaleena Miller (dance)
Set 2 – Kaleena Miller (dance + electronics), Cody McKinney (bass, voice, electronics), John Keston (piano, rhodes, synth, electronics)

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Davu Seru

On Wednesday, July 25th, 2018 Sound / Simulacra at Jazz Central Studios will feature Davu Seru. This monthly series in collaboration with Cody McKinney explores musical improvisation as a “faithful and intentionally distorted” representational process. Sound / Simulacra brings together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal.”

Set I – Davu Seru (percussion)

Set II – Davu Seru (percussion) + John Keston (piano, Rhodes, synthesizers, electronics) + Cody McKinney (bass, voice, synthesizer, electronics)

Improvising musician, percussionist, and award-winning composer, Davu Seru, performs regularly in the Twin Cities and abroad as a jazz musician. Like many jazz-rooted musicians influenced by “new music” experiments with extended technique, his approach to the drum set is as much nostalgic as it is technophilic. Consequently, his style is striking for its attending to sound, silence and melodic line as much it does rhythmic pattern—and as a skilled ensemble player he is known for his “big ears.” In the past fifteen years those ears have afforded Davu the opportunity to perform and record with musicians such as Milo Fine, Anthony Cox, George Cartwright, Dean Magraw, Paul Metzger, Jack Wright, Douglas R. Ewart, Evan Parker, Donald Washington, Nicole Mitchell and Rafael Toral.

Beside any number of spontaneous ad-hoc groupings, Davu currently leads No Territory Band and works in a trio with French clarinetist Catherine Delaunay and French bassist Guillaume Seguron. He has also curated concerts series for improvised music (in Chicago and Minneapolis) and collaborates in multi-media performances with dancers and visual artists.

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Lucas Melchior

This Wednesday, May 23rd, 2018 is Sound / Simulacra at Jazz Central Studios featuring Lucas Melchior. Lucas and I have worked together in many capacities over the last 6 or more years. Last summer at Northern Spark Lucas was an integral part of Un:heard Resonance along with Mike Hodnick, Chris LeBlanc, and myself. It will be a pleasure to host Lucas at Sound / Simulacra. This is a monthly series in collaboration with Cody McKinney which explores musical improvisation as a “faithful and intentionally distorted” representational process. Sound / Simulacra brings together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal.”

Since 2006 MKR has been writing and performing electronic music in the Twin Cities. Winner of the Minnesota Emerging Composer Award in 2012, his music exists at the intersection of dance music and more ambient and experimental styles. Oscillating between extremes, lush downtempo break beats evolve and yield to breakneck rhythms, melodies, and bass. At times warm, simple, and human and at others cold, digital, and impenetrable the music of MKR revels in its influences and exposes a broad spectrum of timbres and moods.

Set 1: Lucas Melchior (electronics)
Set 2: Lucas Melchior (electronics) + Cody McKinney (bass, voice, electronics), John C.S. Keston (Rhodes, piano, synthesizers, electronics)

http://bit.ly/soundsimulacra

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Holly Hansen Recordings

During last month’s Sound / Simulacra on March 28, 2018, we featured artist Holly Hansen. Among many other things Holly hosts t.e.e. (Tuesday Early Evenings), an excellent weekly concert series at the 331 Club in Northeast Minneapolis. It was a pleasure performing with Holly Hansen and Cody McKinney during Sound / Simulacra. Here’s a bit more about Holly’s world, and afterward a couple of recordings from the show that you are likely to enjoy! Holly Hansen (Electronics), John C.S. Keston (Piano, Rhodes, Synthesizers), Cody McKinney (Bass, Voice, Electronics). Recorded by Dave Kunath.

After letting go of her rock band Zoo Animal in 2015, Holly Hansen has been floating around in the world between song and sound. This has lead her to create pieces using guitar pedals, samplers, sequencers and occasionally an instrument or 2. This 2017 recipient of the MECA (MN Emerging Composer Award) has self categorized her music as “weirdo electronic music for the beginning or discerning pallet.”

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Mankwe Ndosi

On Wednesday April 25th, 2018, 8:30pm at Jazz Central Studios Sound / Simulacra will commence featuring Mankwe Ndosi. I have had the pleasure of playing music with Mankwe on several occasions, but I am particularly excited to hear what happens in the context of improvised experimental music. During the second set Cody McKinney and myself will join Mankwe as a trio.

Mankwe Ndosi is a Twin Cities-based performer and composer who uses an expanded vocabulary of singing to express emotion, story and spirit. She works with artists in all media, and living beings of all kinds. She performs nationally and internationally, and has appeared with Nicole Mitchell, The Give Get Sistet, Mike Ladd, Sharon Bridgforth, Laurie Carlos, George Lewis, Medium Zach, I-Self Devine, Ananya Dance Theatre, Atmosphere, and Douglas Ewart – stalwart of Chicago’s Association for the Advancement of Creative Music. Ndosi is a Wild Plant Woman and a Culture Worker who uses creative practice to nurture human connections to others, our ancestors, and the earth. –Ananya Dance Theatre

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Nils Westdal

Sound / Simulacra is pleased to present Nils Westdal at Jazz Central Studios in Minneapolis on February 28, 2018 at 8:30pm. Composer, musician, and producer, Nils Westdal finds a mainline output through his nom de plume ten72. In a time of ready-made beats and stock electronic samples being used on a daily basis as well as the typically recycled genres found in the media, ten72 offers up a distinctive quality and honesty within his compositions. After many years of performing, writing and producing with some of the best that this planet has produced, a refined version of past decades come to a meeting in every song.

Set 1: Nils Westdal (electric bass, processing)
Set 2: Nils Westdal + Cody McKinney (bass, voice, electronics), John C.S. Keston (Rhodes, piano, synthesizers, electronics)

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Leah Ottman (LOTT) Recordings

On March 22nd, 2017 Sound / Simulacra featured Leah Ottman aka LOTT. These recordings were captured by Dave Kunath during the second set and add John C.S. Keston on Rhodes / electronics and Cody McKinney on bass / electronics.

The core inspiration for LOTT’s compositions is the Romantic Period of classical music. The chordal structures, intervals, and melodies heard throughout her songs are reminiscent of those used by Antonin Dvorak, Alexander Borodin, Pyotr Ilyich Tchaikovsky, French Impressionist composer, Maurice Ravel, and then condensed into pop songs. She explores the range on her violin by utilizing a looping pedal and similar techniques employed by looping violinist pioneers, Andrew Bird, Kishi Bashi, and Owen Pallet.

LOTT has been likened to a modern day torch singer of indie music – both in her lyrical themes and vocal styling. She has been greatly influenced by Patsy Cline’s catalogue of songs about unrequited love and heartbreak.

LOTT was awarded “Best Vocalist” in 2016 and “Best Acoustic Performer” in City Pages Best Of the Twin Cities 2015.
“…With a looping pedal hooked up to her instrument, Ottman layers intricate melodies that combine classical beauty with an adventurous ear for contemporary experimentation not unlike Andrew Bird. Her voice, loaded with attitude and a penchant for flowing leaps, sweetens the deal…”